This is why the campaign plays, to a large degree, in exactly the same way as the Russian third of the first Call of Duty did back in 2003 they’re both ripping off the only source material Western players are likely to be familiar with. It’s the only high-profile movie the West has made about the Eastern Front in the last thirty years or so, and so it’s gotten to define an awful lot of clichés about how the great videogame-playing masses perceive that particular conflict. The first thing that will strike you upon starting CoH 2’s single player campaign is that Enemy at the Gates has a lot to answer for. It seems that Relic were right to depart from the formula they’d established with the original Dawn of War and CoH and experiment with a smaller, squad-focused setup in Dawn of War 2 – judging from their return to their old WW2 stomping grounds here, it seems very much like they’ve run out of ideas on how to innovate when they don’t have space aliens and laser guns to fall back on.

It is almost totally devoid of surprises, a game made to order to satisfy a set of increasingly tired RTS clichés that doesn’t do anywhere near enough to iterate and improve upon its predecessor.

Company of Heroes 2 is a game that vexes me mightily.

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